RED has lately filed a lawsuit towards Nikon, accusing the Japanese firm of infringing their notorious compressed RAW patent. In keeping with the American firm, the addition of inner RAW codecs to the Nikon Z 9 intentionally emulates their compression expertise.
Just a few weeks in the past, we had been fairly excited to report in regards to the launch of firmware V2.0 for the Nikon Z 9. Formally out there for obtain since April twentieth, the replace provides the power to internally file 12-bit N-RAW as much as 8.3K60 and even ProRes RAW HQ as much as 4.1K60. Nevertheless, it appears to be like just like the celebration is (virtually) over.
Certainly, RED has lately filed a lawsuit towards the Japanese firm for infringing their notorious compressed RAW patent. Its not clear whether or not the 2 corporations will find yourself in court docket and/or Nikon must take away the long-awaited RAW codecs from the Z 9. What’s sure is that the battle is now open.
RED sues Nikon for including RAW video codecs to the Z 9
Historical past tends to repeat itself. Actually, it’s not the primary time that RED takes authorized motion towards rivals for infringing its personal video compression patents. In current instances, Kinefinity was pressured to take away CinemaDNG from their cameras. Additionally they gave up on the event of their very own KRW2.0 codec. Furthermore, for a similar cause ProRes RAW by no means made it to the DJI Ronin 4D, though this function had been beforehand introduced by the producer.
The addition of inner N-RAW (which is predicated on intoPix’s TicoRAW) and ProRes RAW recording had been recognized for the reason that preliminary launch of the Nikon Z 9. Though the announcement was fairly stunning, we initially thought the corporate had discovered a wise workaround to bypass RED’s patent. Apparently, this courageous try has failed.
Good or unhealthy for the trade?
Positive, enterprise is enterprise and the American firm rightfully protects its personal innovations. Nevertheless, to me personally it appears to be like like this fixed long-term battle just isn’t solely limiting RED’s rivals, but it surely’s someway slowing down the entire trade slightly bit.
However, this case forces corporations to provide you with ingenious options to beat challenges imposed by mental property, identical to Atomos and Blackmagic Design did with their ProRes RAW ecosystem and BRAW format respectively.
Featured picture credit score: picture by Tingey Harm Regulation Agency on Unsplash
Did you will have the possibility to shoot N-RAW or ProRes RAW on the Nikon Z 9? What do you consider RED’s strategy in regard to their compressed RAW patent? Tell us your ideas within the remark part under!